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JGL seriously…dreamy!
Probably one of my fav parts of the movie
SUPER CUTE MOVIE!!
commentre: commends “UP” I haven’t laughed so much during a movie in a longgg time. 
Russell: [from trailer] Good afternoon. Are you in need of any assistance today, sir?
Carl Fredricksen: No.
Russell: I could help you cross the street.
Carl Fredricksen: No.
Russell: I could help you cross your yard?
Carl Fredricksen: No.
Russell: I could help you cross…
Carl Fredricksen: No!
[closes the door on Russell's foot]
Russell: Ow.
http://www.youtube.com/watch?v=Tm5e6AqrNF8
Comment: sad and emotional movie. Def recommend…it was very touching story about the 2 characters relationship and to what extent friendship and loyalty will go to. Def wanna read the book now since I heard its pretty accurate..and there were a lot of moments that could be clarified more.
Laconic and self-contained, Edward Wilson heads CIA covert operations during the Bay of Pigs. The agency suspects that Castro was tipped, so Wilson looks for the leak. As he investigates, he recalls, in a series of flashbacks, his father’s death, student days at Yale (poetry; Skull and Bones), recruitment into the fledgling OSS, truncated affairs, a shotgun marriage, cutting his teeth on spy craft in London, distance from his son, the emergence of the Cold War, and relationships with agency, British, and Soviet counterparts. We watch his idealism give way to something else: disclosing the nature of that something else is at the heart of the film’s narration as he closes in on the leak.
Comment: Must see movie! best ive seen in a while and everything tied together well. The pacing and acting of the film were great.
Ive seen this movie multiple times and still really like it.
IMDB: A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy’s friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy’s new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping, he vows to kill anyone involved in or profiting from the kidnapping. And no one can stop him.
Synopsis: Based on the novel by MYSTIC RIVER author Dennis Lehane, GONE BABY GONE marks the directorial debut of actor Ben Affleck. Featuring a solid cast that includes Ed Harris, Morgan Freeman, and Affleck’s brother Casey in the lead role as a private detective, GONE BABY GONE centers on the disappearance of a young girl in the working class neighborhood of Dorchester in South Boston. With plenty of twists and turns, the movie works as a solid crime thriller, but it’s as a study of a place–and one’s ability to either accept and embrace or ultimately break free from it–that the film flowers. Beneath the movie’s street-tough justice and cop shop politics sits a very complicated view of the world, which Affleck delves into unflinchingly, thanks in large part to his ability to extract some excellent performances from his cast. Casey Affleck offers a nice mix of both steely resolve and vulnerability, while Harris presents a strong performance as a conflicted, emotionally tortured cop. Of particular note is Amy Ryan as the mother of the abducted girl. Her character’s outrageous foul-mouthed demeanor ultimately ends up feeling both tragic and pathetic, with the only appropriate reactions being either pity or rage. It makes for an uncomfortable but affecting dichotomy. GONE BABY GONE signifies a confident and impressive turn behind the camera for one of Hollywood’s more contentious stars. A Boston native himself, Affleck takes great care in evoking his city’s entirety, from its undeniably ugly underbelly, to what feels like an almost primordial sense of community. It speaks to Affleck’s substance as a director, and of good things to come.
Trailer: http://www.sonyclassics.com/thelivesofothers/
At once a political thriller and human drama, THE LIVES OF OTHERS begins in East Berlin in 1984, five years before Glasnost and the fall of the Berlin Wall and ultimately takes us to 1991, in what is now the reunited Germany. THE LIVES OF OTHERS traces the gradual disillusionment of Captain Gerd Wiesler (Ulrich Muhe, best known for his lead roles in Michael Haneke’s FUNNY GAMES and as Dr. Mengele in Costa-Gavras’ AMEN), a highly skilled officer who works for the Stasi, East Germany’s all-powerful secret police. His mission is to spy on a celebrated writer and actress couple, Georg Dreyman (Sebastian Koch) and Christa-Maria Sieland (Martina Gedeck).
I’ve love you so long. (2008) Director:Philipe Claudel Cast:Kristin Scott Thomas, Elsa Zylberstein
Summary: “Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. Juliette has just been released from prison after serving a long sentence. Life together isn’t easy to begin with. Juliette has to relearn certain basics. The world has moved on and she often seems confused. Although she may seem cold and distant, her attitude stems more from her being ill at ease. Helped by some, such as the kindly but tactless social worker and her open-hearted but depressed parole officer (Frédéric Pierrot) whose confidante she becomes, Juliette is also rejected by others, particularly employers who throw her out as soon as they find out what she did. But a huge questions hangs over Juliette’s renaissance. Why did she do such a terrible thing fifteen years ago? For all the others, it’s a recurrent thought that they dare not put into words. And for Juliette, locked away in her secret, it’s a burden to bear, which holds her back from engaging in her life and believing that she too has the right to be happy.”
Comment: We sat a late showing of this movie on campus tonight..Both of us really liked this movie. It had a great plot and pacing. You found out more and more about the character through different situations. It was a realistic movie (everything made sense and the characters acted like how individuals would given their situation) and the acting was good. The ending allowed you to understand Juliette character and actions throughout the film.
Comment: Japanese film (slightly bizarre but actually quite good) with Japanese actors. The actors aren’t fluent whatsoever but for some reason the director decided English (language) was the way to go and it works.
it is to quote -”as if the words were small furry animals that need to be beaten into submission”
Plot: “A revolver-wielding stranger crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, he offers himself to the clan who will offer up the largest share of the wealth. “
